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A group of twelve people pose in front of a white wall. on the floor level, four group members either sit, lie, kneel or lunge on the ground. standing members lean on one another on either side of the crew, and people in the center sit or lay on a bench together.
Photo Credit: Cannonball
  • Interviews

Cannonball Bets on Philadelphia’s Indie Artists

Caitlin Green
  • “Cannonball is no one person’s vision, but the collective fever dream of us all.”
Three dancers, including Nalini Prakash and Vijay Palaparty all face each other in a circle, dressed in vibrant greens, reds and yellows while Vijay wears mostly all white. They are in a dance studio with warm wooden floors. They are all smiling at each other, reaching arms around while balancing on one foot.
Photo: Natasha Cohen-Carroll
  • Interviews

Who am I?

Zoe Farnsworth

Nalini Prakash and Vijay Palaparty discuss identity, tradition, and the evolving 20-year journey of Godavari.

A show poster with mostly purple tones and a purple banner below that reads RWP Fringe Knowledge 2025 Season TIMESTAMP by Karen Cecilia and Emilee Lord Dovecot Studios. Above is an image of two middle aged women in black tank tops, the one on the left with short curly red hair looking straight into the camera, the one on the right with long curly hairs looking up into the distance, Behind them is mirrored a reflected image of this same pose.
Photo: Emilee Lord
  • thINKpieces

Fringe Didn’t Kill Me!

Emilee Lord

A Guide to Not Losing Your Shit

Several lines of students are mid bounce/step, focused on executing the choreography. All face front toward a wall lined with mirrors. The instructor stands in the middle of the front row of dancers. Participants wear a variety of athletic wear–workout sweats, tanks, shorts, long-sleeve zip ups–and most dance in sneakers.
Photo: Kirwei Lo
  • Reviews

Variety and Conformity in Community Work

Zoe Farnsworth

The enthusiasm and community were vibrant, but the choreography left me wanting more at Philly Dance Day's 2026 Showcase

thINKingDANCE is a consortium of dance artists and writers who work together to provide critical coverage for dance, to build audiences for dance, and to foster the art of dance writing.

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The Latest from thINKingDANCE

An overhead shot of performers on a massive white stage or field holding up giant, elongated banners. The banners feature large red text outlined in white against a blue background, spelling out excerpts like "HAPPINESS" and "LIFE, LIBERTY". The performers wear numbered red vests over casual clothes and hold their arms high to display the fabric. Photo credit: Balich Wonder Studio.
Photo credit: Balich Wonder Studio.
  • thINKpieces

Heavy Canvas and the Performance of Patriotism

Lauren Berlin
  • Performing at the FIFA World Cup on July 4th in the City of Brotherly Love
In rehearsal with Sean Aaron Carmon, the Resident Choreographer at Banyan Dance Festival’s Inaugural week, dancers practice phrasework close to a light grey marley floor. In the foreground, a young white woman with loose brown hair in navy basketball shorts, black kneepads and black socks hinges backward. Carmon, a young black man with curly hair and a red bandana demonstrates floorwork in the background of the photo. Other dancers are busy at work in the rest of the photo. Some are part way out of frame.
Photo: Anthony Bethel
  • Reviews

Banyan Dance Festival: I Am Because We Are

E. Wallis Cain Carbonell
  • "We must remember on whose shoulders we stand.”
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From the Archives

A collection of featured work from our archives across the years

Two women standing in a spotlit space, each with a yellow top and white pants with the taller, Zoe Rabinowitz, gazing aside, embraces and holds Mary McGrath to her chest, one arm around her blond hair, the other around her back, her face buried in Rabinowitz’s chest.
Photo: Sara Radin
  • Reviews

Two tD Writers + Two Fringe Shows — A Reflective Conversation

Jonathan Stein
  • Dance and theater from artists/daughters address their mothers’ dementia.
Photo: Colleen Sirisky
  • Reviews

‘Time of Truth’–A Coming of Age Dance

Rhonda Moore
  • The entire cast jockeys between individual and collective truths.
Photo: Sam Tower
  • Reviews

New Maps from the Fringe Festival

Ellen Chenoweth
  • What new connections and directions emerge this year from the Fringe Festival's explosion of artistic expression?
Photo: Julieta Cervantes
  • Reviews

We Are Moses

Kalila Kingsford Smith
  • Reggie Wilson/Fist and Heel Performance Group's Moses(es) brings to life the nature of leadership within a community.

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thINKingDANCE gratefully acknowledges support from the Philadelphia Cultural Fund, the Pennsylvania Council on the Arts, and from our readers and other individual donors like you! thINKingDANCE is supported by Critical Minded, an initiative to invest in cultural critics of color cofounded by The Nathan Cummings Foundation and The Ford Foundation.

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