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  • News

Applications for thINKingDANCE’s 2027 Emerging Writer’s Fellowship Are Open

Zaquia Salinas kneels on a yoga mat in a naturally-lit studio with wood walls and flooring. She embodies a grounded, punk energy, with a half-shaved head and an all-black outfit of a muscle shirt and capri-length workout pants. Her hands gesture out from her body as she speaks to a class of participants who are similarly seated on yoga mats with blocks surrounding them. The participants include one black-haired individual whose head is foregrounded in the image, one white-haired individual in t-shirt and shorts on the opposite side of the room, and a brown-haired person laying down on their stomach reading from their journal as Zaquia speaks.
Photo: WATS (You've Scene Enough Productions)
  • Interviews

Teaching Embodied Activism

ankita

A conversation with Zaquia Salinas

A group of dancers performing in a high-energy dance class under purple lighting. A blonde dancer in a black crop top and heels strikes a low pose in the center foreground, surrounded by smiling group members dancing in high-heeled boots and athletic wear.
Photo: Lauren Berlin
  • thINKpieces

Healing in My Heels: On the Choreography of Womanhood

Lauren Berlin

A dancer reflects on womanhood, a twenty-year-old memory, and the difference between being watched and being witnessed.

Three dancers, including Nalini Prakash and Vijay Palaparty all face each other in a circle, dressed in vibrant greens, reds and yellows while Vijay wears mostly all white. They are in a dance studio with warm wooden floors. They are all smiling at each other, reaching arms around while balancing on one foot.
Photo: Natasha Cohen-Carroll
  • Interviews

Who am I?

Zoe Farnsworth

Nalini Prakash and Vijay Palaparty discuss identity, tradition, and the evolving 20-year journey of Godavari.

thINKingDANCE is a consortium of dance artists and writers who work together to provide critical coverage for dance, to build audiences for dance, and to foster the art of dance writing.

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The Latest from thINKingDANCE

Five dancers in Awakening Lion hold ornate lion heads against a dark stage. White, blue, gold, and red heads form an arc above a black lion head held by one of the story’s heroes (a lion dance champion) in a deep side lunge at the front. The performers wear layered, earth-toned tunics with wrapped forearms and lower legs.
Photo: Guangdong Song and Dance Theatre
  • thINKpieces

When Tradition Takes the Stage, I Stop to Watch

Ziying Cui
  • Two Chinese dance dramas make me reconsider what I call “my culture.”
On a white background, the words Dance/USA are written in the middle of a circle of blue and green dots.
Photo: Dance/USA
  • thINKpieces

Policy and Precarity: Thoughts on the End of Dance/USA’s Fellowship to Artists

Brendan McCall
  • American dance versus COVID, capitalism, and our present-dance culture wars
In a dance studio with white walls, a light gray marley floor, and two large whiteboards along the back wall, situated above a double-stacked wooden ballet barre, eleven college students lay supine with their arms raised and legs parted in an “X” shape on the ground. They lay at different angles, breathing deeply, following the instructions of the teacher at the front of the room. The instructor, tD writer Jennifer Passios, faces the students. She wears a black Adidas jacket. Her hair falls in a half-up-half down updo as her arms reach skyward in the same “X” gesture that the students make on the ground.
Photo: Jacob Regan
  • thINKpieces

To You—who I think about all the time:

Jennifer Passios
  • A letter to my favorite student
The light’s red, the stage black. Dramatic. Devilish. Contrast and shadow are high on the six people in frame. Dead center, a dancer lays. Around her, four people point, laugh, and crouch over her body making the “loser” L on their forehead. In the bottom left corner, someone's leg, hip, and reaching hand are just in frame.
Photo: Matthew Caserta
  • Reviews

Apocalypse: We Hold Us

Xander Cobb
  • The only things left to live for are our lover’s touch and dancing all night.
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From the Archives

A collection of featured work from our archives across the years

On a sunny day, a group of graduate students, and faculty huddled close together, smile at the camera. Their body language is loose and relaxed, and they look comfortable with one another.
Photo: Charly Santagado
  • News

To Close, To Ripple

Megan Mizanty
  • Examining the long and short term impacts of sudden closure on UArts students
Photo: Preeti Pathak
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“The Stakes of this Play are the Stakes of the World”

Preeti Pathak
  • Anissa Weinraub’s Philly Education Stories explore strengthening Philadelphia’s school communities through devised theater.
  • .

Dance Education: A Privilege in Public Schools?

Megan Bridge
  • As codirector of a performance group based just blocks away from KCAPA, I dreamt about the partnerships I could initiate at the school.
Photo: Anna Drozdowski
  • News

The Art of Articulate Economy

Annie Wilson
  • I think the gold of the TD project is the opportunity to understand our personal and shared ideologies about dance and performance.

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thINKingDANCE gratefully acknowledges support from the Philadelphia Cultural Fund, the Pennsylvania Council on the Arts, and from our readers and other individual donors like you! thINKingDANCE is supported by Critical Minded, an initiative to invest in cultural critics of color cofounded by The Nathan Cummings Foundation and The Ford Foundation.

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