CDD604A2-9AEB-4B23-A19B-4504B211C7EF

Announcing Artists for the Decolonizing Dance Writing: International Exchange Project

Gregory King

Congratulations to Emmanuel Cudjoe (Ghana), Juan Felipe Miranda Medina (Peru), Jack Gray (Aotearoa/New Zealand), Umeshi Rajeendra (Sri Lanka) and Diana Teresa Gutiérrez García (Columbia), on being invited to share their practice as guest artists of the 2021 Decolonizing Dance Writing: International Exchange Project. Supported by thINKingDANCE and funded by Critical Minded, the project is curated and directed by Gregory King, associate professor of dance at Kent State University, and dance writer for tD, See Chicago Dance, and Dance Magazine. The project was born out of a need to celebrate dance traditions, aesthetics, and forms outside the western canon and to amplify the way we engage with dance scholarship. The guest artist series will include a recorded interview with the artist (an edited written interview will be published on tD’s website), an open virtual class / workshop offered free to the public via zoom, and an article documenting how the artist navigates colonialism within their practice. These pieces will be written by writers of color on tD’s roster, supported by editors King, L. Graciella Maiolatesi, and Dr. C. Kemal Nance.

  • Peru
  • July Artist Series #1 Juan Felipe Miranda Medina

 Writer: Leila Mire                              

  • Sri Lanka 
  • August Artist Series #2 Umeshi Rajeendra                             

 Writer: Rhonda Moore

  • Aotearoa / New Zealand
  • September Artist Series #3 Jack Gray – Atamira Dance Company                        

 Writer: Nikolai Mckenzie Ben Rema

  • Columbia
  • October Artist Series #4  Diana Teresa Gutierrez – Embodying Reconciliation

 Writer: Lauren Putty White

  • Ghana
  • November  Artist Series #5  Emmanuel Cudjoe                                         

 Writer: Ani Gavino

Details about each artist’s public presentation will be advertised in advance with registration information. All events will be held via zoom and made available to the public free of charge over the next five months. Additionally, the cohort of writers and editors will privately convene to exchange ideas that can further the Decolonizing Dance Writing project as it lives at thINKingDANCE long term.

Share this article

Gregory King

Gregory King is a culturally responsive educator, performance artist, activist, and movement maker who received his MFA in Choreographic Practice and Theory from Southern Methodist University and is certified in Elementary Labanotation from the Dance Notation Bureau. His dance training began at the Washington Ballet and continued at American University and Dance Theatre of Harlem. He is a former Decolonizing Dance Director and editor at thINKingDANCE. Learn more.

PARTNER CONTENT

Keep Reading

The Willis in a Red Mansion?

Ziying Cui

The Challenge of Chinese Ballet

At center stage, Baoyu, dressed in flowing white robes, leads a semicircle of female dancers dressed in pastel, Han-style costumes. The dancers extend one leg in high arabesque-like lines while holding delicate props such as fans and round silk fans, creating a symmetrical and airy composition reminiscent of classical Chinese painting. Behind them is a large golden backdrop textured like aged parchment. Red calligraphic Chinese characters are written across it, associated with the supernatural framework of the story. A circular opening in the center of the backdrop reveals a cool blue background, evoking the moon or an otherworldly portal. The stage lighting highlights the dancers’ flowing sleeves and soft colors—peach, pale green, yellow, and ivory—suggesting the youthful elegance of the family's girls.
Photo: The National Ballet of China

Science and Dance in Creative Conversation

Jen George

Science in partnership with dance yields collaboration and contrasting forces.

Two dancers wear black costumes, and the lighting is low and shadowy. One dancer lays face-up on the stage with arms softly outstretched to the sides and their chest lifted off the floor, legs bending at the knees. The other dancer sits, gazing downwards at them. Dancers: Sayer Mansfield, Marla Phelan
Photo: Tim Richardson