Sam Interrante
Sam Interrante

Editorial Change Upcoming at tD

Having become thINKingDANCE editor-in-chief on Jan. 1, 2019, I write here with the news that I am stepping down from that role in the course of the next several months, as soon as a new leader for that position can be identified. Serving as tD editor-in-chief has been rewarding in many ways. While moving tD through recent social challenges was not on our radar screen when I stepped into the position, we’ve nonetheless brought in new writers and editors, taken a critical look at our website, restructured our leadership, and continued writing and publishing through times when no live performance was in sight. Yet, write we did. Look back over the site since the beginning of March, and you’ll see dozens of articles addressing the times we’ve been through.

I have been a tD writer and editor since the organization’s start in October 2011, when Anna Drozdowski and Lisa Kraus brought this remarkable dancing-writing-thinking collective into existence. I am grateful for the growth my tD work has spurred in my writing, thinking, editing, and exposure to dance, to performance, and to the Philadelphia arts community at large. I am moved also by the growth I have seen in other writers’ work over the course of their affiliations with thINKingDANCE.

Best wishes, tD and its community, as you move into the future. – Lynn

Share this article

PARTNER CONTENT

Keep Reading

Donald Byrd’s Five Alarm Dance

Brendan McCall

Donald Byrd sounds the alarm in his latest work connecting 9/11 to the crises of our current moment.

Six young dancers stand in profile, all facing right, under bloodred stagelights. They balance on their right foot, while holding their bent left leg with their left hand behind them. Their right arms are extended in front of them, their palms flexed, as if threy are saying "stop."
Photo: Steven Pisano

Bodies Exposed Under Hard Light: Encountering Fables

Yuying Chen

Virginie Brunelle's Fables reveals how bodies resist and transform.

The vast white skirt of a female dancer spreads out across the center of the stage, drawn and lifted by dancers concealed beneath it, resembling a giant wave. The dancers are constantly struggling to crawl out from within this undulating mass of soft fabric. With their upper bodies bare, they curl up on the ground, suspended in a state between weightlessness and struggle. The spotlight focuses on the white fabric and the figures at the center, plunging the surrounding space into darkness.
Photo: David Wong