My Barbarian at the ICA: Grappling with Politics, Theater, and Art

Christina Gesualdi

“Indistinction,” Alex Segade of My Barbarian explains, “is when something is neither this nor that.”

The workshop for Post-Living Ante-Action Theater (POLAAT) led by interdisciplinary performance collective My Barbarian was neither a corporate team building retreat nor an immersive Butoh intensive.  It was neither a dinner theater rehearsal for The Music Man nor a beginners’ improvisation class.  It was neither a crunchy embodied yoga class nor a guided meditation session.  It was neither an Occupy meeting nor an academic lecture on politics or art.

As I watched the rehearsal/workshop at the Rotunda on Friday, the group’s practice hovered just above all of these familiar references but never quite landed.  The participants–Penn students and staff of The Institute of Contemporary Art–trusted the My Barbarian leaders Segade and Malik Gaines to wildly lead them into the unknown.  For six full hours the group prepared for an interactive performance that will occur at the ICA on Sunday afternoon.  They took their shoes off, practiced trust falling and yes, believe it, they even attempted levitation.  They chanted mantras and struggled to sing them in a round.  They giggled often, embracing the awkwardness and absurdity of it all, and sometimes they even took a pizza break.  

At their most serious, they devised group skits sourcing from local newspaper clippings about the confusing voter I.D. laws or Romney and Obama.  At their most playful, they simultaneously pantomimed a play-by-play of  a “utopian day”.  One guy skipped around the room in figure eights, while another played air guitar.  Many slept strangely on their backs ( I later learned they were tanning, resting in a futuristic sleeping machine, or traveling to the bar in a teleporter), while others agreed upon an invisible club where they could get their collective groove on, silently bumping, grinding, and doing the running man.   

What a blast!  The group has one more day of rehearsal to play with wacky costumes and props (visit the My Barbarian website to get a sense of the strange yet good-looking outrageousness their performances exude).  By Sunday they will be ready for you.  Go see this free show and become enveloped into the POLAAT experience.

Post-Living Ante-Action Theater (POLAAT), My Barbarian, Institute of Contemporary Art
Sunday, October 28th, 2PM, http://www.icaphila.org/

Share this article

Christina Gesualdi

Originally from Bucks County and currently a resident of Fishtown, Christina Gesualdi has spent the last eight years galavanting around Philly appreciating the generous and sincere art community here. Christina enjoys folding choreography, performance, movement education, and arts administration and advocacy into her artistic pursuits and curiosities. She is a former staff writer with thINKingDANCE.

PARTNER CONTENT

Keep Reading

Tango – I Think About It All the Time

Rachel DeForrest Repinz

Tango Therapy Project offers community, connection, and joy.

A group of dancers wearing various multi-colored shirts sit in chairs arranged in a circle in the center of a church meeting room. They are surrounded by intricate stained glass windows, warm wooden flooring, and off-white painted walls. As they sit, they raise their arms above their heads and smile at one another.
Photo: Helio Ha

Multilayered Memory in a Feminist Timescape

Emilee Lord

Jasmine Hearn’s Memory Fleet: Beloved, Let’s Cross

A dancer dips into a low second position, leaning over her right knee, chest and chin lifted, an open right hand reaching. Her silver top and the billowing folds of her skirt shimmer in the blueish light. Behidn her a row of dancers standing in gowns of different constructions and colors, sparkling and reflecting as behind them a video of a field path plays, one dancer in a yellow dress walking on screen.
Photo: Maria Baranova