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Fifteen Years of Dance Writing at thINKingDANCE

Emilee Lord
  • Dive into the archive and move through the years with us!
A bald white man wearing white tights and tutu stands center stage in a fifth position soussous with arms stretched sideways, in silhouette on a black marley floor, surrounded by a black backdrop.
  • Reviews

The Krakatuk is the Hardest Nut in the World!

E. Wallis Cain Carbonell

“It’s the last place that magic exists.”

Anh Vo performing at The Rail Park, an outdoor space. Three dancers stand with their backs toward the observer, looking toward a blue and white modern-style building. They stand on a concrete edge, with the chalked words "FORM IS A FEELING" sketched across the platform.
Photo: Albert Yee, Courtesy of Asian Arts Initiative
  • thINKpieces

The Assurance of the Ecstatic: On Anh Vo’s Three Performances

Mang Su

Being possessed is not a state but a devotion.

Joan Myers Brown and eight fellow choreographers, dancers, and company leaders seated on a panel discussion on a blue-lit stage at the Perelman Theater, following the performance.
Photo: Lauren Berlin
  • Reviews

Philadanco: Then and Now

Lauren Berlin

Aunt Joan, Philadanco, and a Philadelphia Legacy: 65 Years and Counting

thINKingDANCE is a consortium of dance artists and writers who work together to provide critical coverage for dance, to build audiences for dance, and to foster the art of dance writing.

PARTNER CONTENT

The Latest from thINKingDANCE

Lauren Morrow, author of Little Movements, stares directly into the camera. She wears a white button-down, and her hair is in long black braids.
Photo: Kate Enman
  • Book Reviews

You Deserve It: Creative “Freedom” in a Dance Novel

Megan Mizanty
  • Lauren Morrow’s debut novel hits close to many dancers’ experiences
Matthew Neenan, a white man with light short-cut hair and bright blue eyes, stares forward. He wears a grey-ish blue casual button-down shirt.
Photo: Stephen K. Mack
  • Interviews

Quiet Loves and Potent Griefs: An Interview with Matthew Neenan

Caedra Scott-Flaherty
  • The beginning of a new chapter, a chance to connect with new people and find new voices.
View More >>

PARTNER CONTENT

From the Archives

A collection of featured work from our archives across the years

Fanned out in a circle on a white surface are 12 booklets in a range of colors. Here and there are sections of text covered or obscured by other booklets. In the center of this circle is the title piece in a wash of brown darker at the bottom and lightening toward the top. The vague image of pine tree tops on its surface. It reads, Dance across the top and History(s) across the bottom with the subtitle Imagination as a Form of Study in the center. Underneath in smaller letters it reads edited by Thomas F. DeFrantz and Annie-B Parson.
Photo: Jack Lazar
  • Book Reviews

To Us/Because of Us

Emilee Lord
  • Dance is a Weed
Photo: Linda Johnson
  • Reviews

An Inquiry of Oz

Kat J. Sullivan
  • Quintessence Theatre’s imagining ends witQuintessence Theatre’s imagining ends without closure.hout closure.
Portrait of Alvin Ailey with Judith Jamison, Linda Kent, and Dudley Williams in dance studio, 1973. Photography by Jack Mitchell, © Alvin Ailey Dance Foundation, Inc. and Smithsonian Institution, All rights reserved.
© A. Ailey Dance Foundation and Smithsonian
  • Reviews

Parsing the Significance of a New Archive

Emma Cohen
  • A collection of Alvin Ailey photographs is made available to the public for the first time.
Photo: Mark Garvin
  • Reviews

Mayhem and Laughter at People’s Light

Kristen Shahverdian
  • A Christmas Panto created a community for an afternoon and a chance to celebrate each other.

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thINKingDANCE gratefully acknowledges support from the Philadelphia Cultural Fund, the Pennsylvania Council on the Arts, and from our readers and other individual donors like you! thINKingDANCE is supported by Critical Minded, an initiative to invest in cultural critics of color cofounded by The Nathan Cummings Foundation and The Ford Foundation.

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