Articles
He is Chris, Chris he is, and he is beautiful
Christopher Knowles’ performance brings us into his world, one that’s precise, repetitive, forthright, fantastical, and perhaps obsessive.
November 20, 2015
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The Requisite Movers: The Complexities of Black Consciousness
In a hinged position she dangled her arms—breathing as they swayed, living in their lifelessness.
November 20, 2015
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Criticism For Theatre's Sake
Published in collaboration with culturebot.org -- an excerpt from Mark Fisher's 2015 book.
November 17, 2015
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Oh and Anne Teresa
Boris Charmatz strides out and then you, Anne Teresa.
November 16, 2015
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Tharp and Race: Four Questions
Seeing Tharp's company, I was curious how she would respond to questions about race, inequality, diversity and inclusion.
November 15, 2015
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Interview with The Dance Apocalypse
The Dance Apocalypse -- hilarious, outrageous, provocative, and intimate all at once.
November 12, 2015
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A Funeral For Five Performances
Hopkins asks: How is a performance like a person?
November 12, 2015
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