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Articles

He is Chris, Chris he is, and he is beautiful

Christopher Knowles’ performance brings us into his world, one that’s precise, repetitive, forthright, fantastical, and perhaps obsessive.
November 20, 2015
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The Requisite Movers: The Complexities of Black Consciousness

In a hinged position she dangled her arms—breathing as they swayed, living in their lifelessness.
November 20, 2015
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Criticism For Theatre's Sake

Published in collaboration with culturebot.org -- an excerpt from Mark Fisher's 2015 book.
November 17, 2015
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The Color Of The Aged Queer is Pink

It felt personal.
November 16, 2015
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Oh and Anne Teresa

Boris Charmatz strides out and then you, Anne Teresa.
November 16, 2015
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Tharp and Race: Four Questions

Seeing Tharp's company, I was curious how she would respond to questions about race, inequality, diversity and inclusion.
November 15, 2015
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Interview with The Dance Apocalypse

The Dance Apocalypse -- hilarious, outrageous, provocative, and intimate all at once.
November 12, 2015
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A Funeral For Five Performances

Hopkins asks: How is a performance like a person?
November 12, 2015
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