PS #6: Ten Bests

 What were the most memorable dances you saw in 2011? Tell us what’s on your end-of-year Ten Best list.

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Perception is Participatory

Brendan McCall

John Jasperse frolics amidst fields of perception in this site-specific collaboration with artist Julie Mehretu.

Four dancers move in front of a large abstract painting rich with textured color, their bodies reaching, extending, and twisting in multiple directions. Their hands and feet reach upwaerds, downwards, and away from us, creating dynamism in the air. Along the edges of the painting, bystanders stand and look--some at the dancers, others at something unseen.
Photo: Maria Baranova
  • Reviews

Unscored Improvisation, H-O-T or Not?

Xander Cobb

Does dance need meaning to be meaningful?

Three people sit in an oblique triangle that fills the frame. To the left, a musician, Aabeizer, sits on a black bench in carpenter jeans and a dark t-shirt. His eyes are closed and his feet bare. He moves his hands around a circular plate and wooden dowels that extend from a wood board he holds against his chest. To the right, a saxophonist, Bhob Rainey, sits on a folding black chair in a black cardigan and grey pants, blowing into the mouthpiece and pressing the keys. Between them, a person with short red curls, Kayliani Sood, crosses their legs on a white stool, sitting higher than the musicians beside her. They wear brown shorts over grey pants and a black t-shirt with a blue square patch in the center. She rests one hand on her knee, and the other over their forearm, closes her eyes and tilts their head pensively to the right.
Photo: Loren Groenendaal